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2023 / 4月香港BASE展演空間呈現 Performance art/video/Installation art 行為、影像、裝置
【石頭  Stone】
     2023/  4月 香港  BASE 展演空間呈現
Performance art/ video/ Installation art
行為、影像、裝置

2023   4月  香港 BASE 空間、  Per.Platform  邀請行為藝術作品 呈現
2023 April Hong Kong BAS E Per.Platform invited
performance art works to be presented

Milla透過行為、身體力行,以石頭作為自然的原始的一部分連結的可能性,從文字、概念到身體,如何將我消融、成為石頭的一部分的過程。

Through her actions and body practice, Milla explores the possibility of connecting with stone as a primitive part of nature. From words, concepts to the body, it is a process of how she can dissolve herself and become a part of the stone.

策展人Florence的:

 

Milla她跪在一個木底座上,手上拿著一顆石頭,告訴我們在阿美族語和印尼話裡石頭的名字,再問我們廣東話裡「石頭」怎麼講。然後她請我們其中一個用手按著她的嘴巴。她一邊重複說著這三個詞語,一邊把衣服脫光。她伸手拉在場的人的手按著她的頭、背和心口,像在把她壓下來,又像在給她力量。堅定的聲線穿透正在發力的手掌肉,朦朧的言語成了一個謙遜的宣言。她的皮膚泛紅,身體捲曲成胚胎狀,變成一顆石頭。我看到她的族群、我們的族群、大自然、在爭扎裡對所有傷害的包容、愛和原諒。

藝術家從一開始使用石頭做講解,再讓觀眾身體靠在一起的瞬間,那種人與人之間的隔膜瞬間瓦解了,氣氛從張力轉變到最後的平靜溫柔。我感覺那段時間靜止了,我聽到,摸到,聞到了週遭的人的呼吸和氣味。Milla的身體是溫熱的,吶喊讓她變強大了,而她身體裡有我和其他觀眾的存在,因為力量疊加在她身體裡了。

香港觀眾 藝術家toyi分享

From the beginning when the artist uses stones to explain, and then allows the audience to get close to each other, the barrier between people instantly collapses, and the atmosphere changes from tension to calmness and gentleness at the end I felt like that time was still, and I heard, touched, and smelled the breath and scent of the people around me. Milla's  body was warm, and her shouting makes her stronger, I and the other viewers were present in her body because the power was superimposed on her body.   shared by artist Toy_Hong Kong audience  

2023/  4月 香港  BASE 展演空間呈現 Performance art/ video/ Installation art 行為、影像、裝置
2023/  4月 香港  BASE 展演空間呈現 Performance art/ video/ Installation art 行為、影像、裝置

在你的作品中除了自然、自我身份認同等等之外還看見很多事物如何轉化的狀態。

比如說,石頭這個行為我是最喜歡的,你令它有一個很短的時間內轉換成不同的形態,從文字、聲音、你的身體到我們的身體。彷彿你無形地控制著一件物件的流動。

我喜歡你把本來恐懼的感覺作為創作的出發點,用創作來抵銷生命的某些缺失。

_香港觀眾 詩人汪倩  分享

In the works, in addition to nature, self-identity, etc., you also saw how many things were transformed.

For example, I like the behavior of stone the most. You could make it transform into different forms in a short period of time, from words, sounds, your body to our bodies. It's as if you were invisibly controlling the flow of an object.

I like that you used the original feeling of fear as the starting point for creation, and use creation to offset certain shortcomings in life. _

 

Hong Kong audience poet Wang Qian shared

2023/  4月 香港  BASE 展演空間呈現 Performance art/ video/ Installation art 行為、影像、裝置
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